Global Chart Report
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There's a new
all-time no.1
Sunday, December 14, 2025
by Fred Chuchel, Dresden
28 years held Elton
John's 'Candle In The Wind 1997' - a
tribute to Diana, Princess Of Wales
who had died in an auto crash on
August 31, 1997 - the top position
of Media Traffic's
ALL TIME CHART.
Four years ago The Weekend's
'Blinding Lights' came very close to
being the new number one. But it
finally worked out a fortnight ago: 'Die
With A Smile' by Lady GaGa & Bruno
Mars is the new leader! Released on
August 22, 2024, it generated a
total of 21,628,000 points so far.
Let's take a short excursion through
the history of the most successful
tracks on our hitlist. In the
initial year 1955 led Cuban mambo
king Perez Prado with 'Cherry Pink
And Apple Blossom White' with a
total 8,021,000 points, overtaken
nearly two years later by Doris
Day's 'Whatever Will Be, Will Be
(Que Sera, Sera)' from the Alfred
Hitchcock film 'The Man Who Knew Too
Much' with 11,073,000 points. Seven
years later in 1964 the Beatles' 'I
Want To Hold Your Hand' set a new
record with a total of
14,435,000 points.
Another 21 years later the benefit
single 'We Are The World' by USA For
Africa generated a little bit more
with 14,665,000 points. 1991 Bryan
Adams' '(Everything I Do) I Do It
For You' took over the lead of the
ALL TIME CHART
with 15,694,000 points. Only 16
months later Whitney Houston's 'I
Will Always Love You' set another
new record with 16,547,000 points.
Finally four and a half years
afterwards Elton John's tribute
single 'Candle In The Wind 1997'
took the crown with spectacular
worldwide sales and a total of
21,314,000 points. And Elton John's
smash hit holds still another all
time record. In the calendar week
41, 1997, it topped the Global Chart
with stellar 5,094,000 points. Apart
from this song, only two other
classics reached the million points
border in a single week: Adele's
'Hello' (2015) and USA For Africa's
'We Are The World' (1985). Now back
to our current weekly tally:
'Golden' by the fictional girl group
Huntr/x - leading track from the
soundtrack to the American animated
musical fantasy film 'K-pop Demon
Hunters', released by Netflix -
remains at the summit this
week for an impressive 18th
non-consecutive week with 335,000 points,
a 3% decline compared to the
previous week.
Broken down by sectors the song gets
221,000 points by streaming (down
1%), 33,000 points by sales (down
8%), and 81,000 points by airplay
(down 5%). After 24 weeks on the
tally the song gets a total of
9,132,000 points, so it holds no.5
on the year-to-date chart. Taylor
Swift's 'The Fate Of Ophelia' holds
tight at the runner-up slot with
334,000 points (down 2% with
207,000 points by streaming, 35,000
points by sales, and 92,000 points
by airplay).
Mariah Carey's eternal carol 'All I
Want For Christmas Is You' rounds
out the top three again. In its
109th week on our tally (a historic
record!) it gets another 271,000 points (up
20% with
208,000 points by streaming, 29,000
points by sales, and 34,000 points
by airplay). There are currently 15
carols in the Top 40, five of it in
the Top 10.
Outside
our current Top 40 waiting among
other
'Aawaara Angaara' by A.R.Rahman |
Faheem Abdulla | Irshad Kamil at
no.56 and 'Sedia Aku Sebelum Hujan' by
Idgitaf at no.60 for
their first appearance on the
hitlist. Taylor Swift's 12th studio
album 'The Life Of A Showgirl'
returns to the pole position of the
Global Album Chart for a fifth
non-consecutive week with another
149.000 consumption units (down 3%
with 96,000 points by streaming +
53,000 points by sales). After ten
weeks on the tally the album
generated a total of 7,23 million
consumption units, easily the most
successful effort of the year.
Highest debut of the week comes from
French rapper Jul, his 25th album
'TP Sur TP' shoots at the runner-up
slot with 137,000 equivalent sales
(8,000 points by streaming + 129,000
points by sales). It's Jul's best
album start ever. The soundtrack to
'K-pop Demon Hunters' rounds out the
top three with 102,000 consumption
units (down 6% with 73,000 points by
streaming + 29,000 points by sales).
With a total of 3,16 million so far
it climbs at no.7 on the
year-to-date list. And now, as every week,
additional stats from outside the
current Global Album Top 20 in
alphabetic order, the first figure
means last week's sales, the second
figure the total sales: '1989' by
Taylor Swift 12,000 / 17,150,000,
'1989 (Taylor's Version)' by Taylor
Swift 13,000 / 7,325,000, '21' by
Adele 14,000 / 34,195,000, '25' by
Adele 10,000 / 25,963,000, '30' by
Adele 9,000 / 7,106,000, 'After
Hours' by The Weeknd 27,000 /
11,684,000, 'Borondo' by Beéle
32,000 / 1,333,000, 'Brat' by Charli XCX
20,000 /
4,315,000, 'Chromakopia' by Tyler,
The Creator 25,000 / 2,615,000, 'Cowboy Carter' by
Beyoncé 10,000 / 2,302,000, 'Divide'
by Ed Sheeran 14,000 / 22,557,000,
'Eternal Sunshine' by Ariana Grande
40,000 / 5,099,000,
'Evermore' by Taylor Swift 9,000 /
6,953,000, 'Fireworks &
Rollerblades' by Benson Boone 25,000
/ 3,855,000, 'Folklore' by Taylor
Swift 32,000 / 12,780,000, 'From Zero' by Linkin
Park 14,000 / 1,892,000, 'Future
Nostalgia' by Dua Lipa 17,000 /
10,064,000, 'GNX' by Kendrick Lamar
28,000 / 3,873,000, 'Guts' by Olivia
Rodrigo 22,000 / 5,458,000,
'Hurry Up
Tomorrow' by The Weeknd 26,000 /
2,546,000, 'I've Tried Everything
But Therapy' by Teddy Swims 30,000 /
3,988,000,
'Incómodo' by Tito Double P 18,000 /
2,719,000, 'Mayhem' by Lady GaGa
41,000 / 2,670,000,
'Mi Vida Mi Muerte' by Neton Vega
16,000 / 1,703,000,
'Midnights' by Taylor Swift 17,000 /
13,154,000, 'Muse' by Jimin 13,000 /
2,631,000, 'One Thing At A Time' by
Morgan Wallen 22,000 / 10,105,000,
'Red (Taylor's Version)' by Taylor
Swift 10,000 / 7,028,000, 'Rosie' by
Rosé 18,000 / 2,304,000, 'Ruby' by
Jennie 19,000 / 1,699,000, 'Starboy'
by The Weeknd 32,000 / 10,083,000,
'Stick Season' by Noah Kahan 43,000
/ 5,853,000, 'Swag' by Justin Bieber
31,000 / 1,487,000, 'The Highlights' by The
Weeknd 21,000 / 10,554,000, 'The Rise
And Fall Of A Midwest Princess' by
Chappell Roan 24,000 / 4,571,000, 'The
Secret Of Us' by Gracie Abrams
28,000 / 3,778,000, 'The Tortured
Poets Department' by Taylor Swift
28,000 / 11,460,000, 'Tropicoqueta'
by Karol G 26,000 / 1,144,000, 'Un
Verano Sin Ti' by Bad Bunny 41,000 /
10,411,000, 'Utopia' by
Travis Scott 12,000 / 5,812,000, and
'When We All Fall Asleep, Where Do
We Go?' by Billie Eilish 16,000 /
13,222,000.
GLOBAL NO.1 - 10
YEARS AGO
...
"Hello"
was released on 23 October 2015 as the lead single from Adele's
third studio album, 25. It's
a piano ballad with soul influences, and lyrics that discuss themes of
nostalgia and regret.
"Hello" attained huge international commercial success
reaching number one in almost all countries of the world and breaking
several records. In the USA for example it becoming the first song with
over a million digital sales in a week. On the Global Chart it debuted
with sensational 1,531,000 points, the biggest weekly frame since 18
years, when Elton John's 'Candle In
The Wind 1997' generated stellar sales over several weeks.
The accompanying music video to "Hello" was directed by Xavier Dolan
and co-stars Adele and Tristan Wilds.
USA
Billboard Report
(excerpt)
Mariah Carey's carol notches
20th week at no.1
Tuesday, December 16, 2025
by Keith Caulfield & Gary
Trust, Los Angeles
Mariah Carey's
“All I Want for Christmas Is
You” achieves a
record-breaking 20th week at
No. 1 on the Billboard Hot
100, rewriting the mark for
the longest reign over the
chart’s 67-year
history. The song,
originally released in 1994,
surpasses the No. 1 runs of
two hits that led the Hot
100 over one release cycle
each: Shaboozey’s “A Bar
Song (Tipsy),” in 2024, and
Lil Nas X’s “Old Town Road,”
featuring Billy Ray Cyrus,
in 2019. Carey claims the
Hot 100’s No. 1 longevity
record for a second time —
In 1995-96, her and Boyz II
Men’s “One Sweet Day”
dominated for 16 weeks, a
mark that stood on its own
for more than 23 years,
until it was tied by Luis
Fonsi and Daddy Yankee’s
“Despacito,” featuring
Justin Bieber, in 2017, and
then passed by “Old Town
Road.” (She, thus, breaks
the record with a song
released before “One Sweet
Day.”) “All I Want for
Christmas Is You” became
Carey’s 19th Hot 100 No. 1,
the most among soloists and
one away from the Beatles’
overall record 20. It also
made Carey the first artist
to have ranked at No. 1 on
the chart in four distinct
decades (1990s,
2000s, ‘10s and ‘20s). “All
I Want for Christmas Is
You,” on Columbia
Records / Legacy Recordings,
drew 39.5 million streams
(up 17%) and 22.6 million
radio airplay audience
impressions (up 1%) and sold
3,000 downloads (up 3%) in
the U.S. Dec. 5-11,
according to Luminate. The
single holds for a
record-extending 24th week
atop the Streaming Songs chart;
backtracks 21-23 on Radio
Songs, where it has hit a
No. 7 best; and dips 4-5 on
Digital Song Sales,
following six weeks at the
summit. Carey collects her
record-extending 99th week
at No. 1 on the Hot 100,
across her 20 leaders,
dating to the chart’s
inception. “All I Want for
Christmas Is You” leads
eight holiday songs in the
Hot 100’s top 10, including
the entire top five. Lee’s
“Rockin’ Around the
Christmas Tree” dances 3-2
on the Hot 100; Wham!’s
“Last Christmas,” from 1984,
ranks at No. 3 a week after
hitting a new No. 2 high;
the late Bobby Helms’
“Jingle Bell Rock” holds at
No. 4, with the 1957 release
having reached No. 3; and
Ariana Grande’s 2014 single
“Santa Tell Me” rebounds
three spots to its No. 5
best. Late legend Nat “King”
Cole’s “The Christmas Song
(Merry Christmas to You)”
ascends 9-8 on the Hot 100,
marking a new high for the
chestnut that Cole first
recorded in 1946. Kelly
Clarkson’s “Underneath the
Tree” reenters the Hot 100’s
top 10, up two spots back to
its No. 9 best. The 2013
release drew 26.7 million
streams (up 20%), 10 million
in airplay audience (up 1%)
and 2,000 sold (up 22%) in
the tracking week. The late
Andy Williams’ “It’s the
Most Wonderful Time of the
Year,” from 1963, keeps at
No. 10 on the Hot 100, after
reaching No. 5. Elsewhere in
the Hot 100’s top 10,
Huntr/x’s “Golden,” from
Netflix’s KPop
Demon Hunters,
is the highest-charting
non-holiday hit, down 5-6
after eight weeks at No. 1
beginning in August. Taylor
Swift’s “The Fate of
Ophelia” falls 6-7 on the
Hot 100 after spending its
first eight weeks at No. 1,
having tied “Anti-Hero” for
her longest-leading career
hit. HerThe
Life of a Showgirl collects
a ninth nonconsecutive week
at No. 1 on the Billboard
200 chart (dated Dec. 20),
with 89,000 equivalent album
units earned in the United
States in the week ending
Dec. 11 (down 10%). Of
Swift’s 15 No. 1 albums,
only three have spent more
weeks at No. 1: The
Tortured Poets Department (17),
and 1989 and Fearless (each
with 11). Of The
Life of a Showgirl’s
89,000 equivalent album
units earned in the latest
tracking week, SEA units
comprise 50,000 (down 5%,
equaling 65.83 million
on-demand official streams
of the set’s tracks; falls
2-4 on Top Streaming
Albums), album sales
comprise 39,000 (down 16% —
it rebounds 2-1 on Top Album
Sales) and TEA units
comprise less than 1,000
(down 4%). Former
chart-toppers populate the
rest of the top four on the
Billboard 200, as Morgan
Wallen's I’m
the Problem is
a non-mover at No. 2 with
74,000 equivalent album
units earned (up 4%), the KPop
Demon Hunters soundtrack
is steady at No. 3 (67,000,
up 1%) and Bublé’s Christmas climbs
6-4 (64,000, up 11%). Bing
Crosby’s
Ultimate Christmas ascends
7-5 with 59,000 equivalent
album units (up 15%), while
Nat King Cole’s The
Christmas Song returns
to the top 10 with an 11-6
jump (50,000, up 17%).
Olivia Dean’s The
Art of Loving bumps
8-7 (49,000, up 2%) and
Vince Guaraldi Trio’s A
Charlie Brown Christmas
soundtrack skates 9-8
(48,000, up 6%). A
Christmas Gift for You From
Phil Spector is
back in the top 10 with a
13-9 increase (43,000, up
15%), while Stray Kids’
former No. 1 DO
IT dips
4-10 in its third week
(42,000, down 35%).
Record Of The Month
As the first salvo from her
new album, Lux, Spanish
reggaeton and flamenco
artist Rosalíá has uncorked
a dazzling opus featuring
Björk, Yves Tumor and a
full-on symphony orchestra.
United Kingdom
Music Week Report
(excerpt)
'Last Christmas' tops an
eleventh week
Monday, December 15, 2025
by Alan Jones, London
Unable to reach No.1 when it
was first released more than
four decades ago, Last
Christmas is unable to stop
reaching No.1 in the 2020s,
rising inevitably and
inexorably to pole position
yet again this week for
Wham! First released in
1984, as a double A-sided
hit alongside Everything She
Wants, Last Christmas
peaked at No.2 at the time for Wham!, behind Band
Aid’s Do They Know It’s Christmas?. It finally topped the chart at the
end of 2020, returning to the summit for two weeks the following year,
adding four more weeks in 2023/4, and a further three in 2024/5.
It jumps 3-1 this week on ACR-adjusted consumption of 42,470 units (80
CDs, 297 12-inch vinyl, 550 digital downloads and 41,543
sales-equivalent streams) – the lowest for a No.1 for 20 weeks. It
simultaneously achieves unadjusted consumption of 84,013 units – 8.45%
lower than its unadjusted tally for the same week last year.
No.1 for the 11th time, it has spent longer at the summit than all but
two of the other 84 songs that have taken turns at the apex in the
2020s, trailing Alex Warren’s Ordinary (13 weeks) and matching Ed
Sheeran’s Bad Habits.
Where Is My Husband! is No.2 for the third straight week for Raye – but
its consumption of 37,677 units is the lowest of its 12-week chart
tenure,
lowest of its 12-week chart
tenure, the lowest for a No.2 for 16 weeks and a prelude to its
relegation to ACR next week.
Kelly Clarkson is in the Top 5 for the first time since 2011, with her
belated fourth Top 5 hit, 2013 track Underneath The Tree climbing 9-5
(27,739 sales) to reach a new peak.
Thirteen years old when she recorded Rockin’ Around The Christmas Tree
in 1958, Brenda Lee celebrated her 81st birthday some days ago. The song, which first charted in 1962, when it reached No.6, hit a
new peak of No.4 in 2022, and again in 2024. It returns to that slot yet
again this week (6-4, 33,278 sales). It also achieves quintuple platinum
in the digital age, with unadjusted consumption of 66,305 units raising
its overall tally since 2004 to 3,042,687 units.
Defying the incessant creep of Christmas, Olivia Dean continues to have
three songs in the Top 10, with So Easy (To Fall In Love) (5-6, 26,994
sales), Man I Need (8-7, 26,367 sales) and Sam Fender duet Rein Me In
(7-9, 25,172 sales). So Easy (To Fall In Love) looks set to slump next
week, however, as it enters ACR. In reality more popular, Man I Need is
already on ACR, while Rein Me In is safe from ACR for at least three
more weeks. With unadjusted consumption of 52,104 units, Man I Need is,
in reality, the fifth most popular track on the chart, and the only one
in the Top 10 of the Top 200 Combined Tracks chart that is not
Christmas-related.
The rest of the Top 10: All I Want For Christmas Is You (4-3, 36,135
sales) by Mariah Carey, Fairytale Of New York (12-8, 25,883 sales) by
The Pogues feat. Kirsty MacColl and Jingle Bell Rock (14-10, 25,003
sales) by Bobby Helms.
Overall singles consumption is up 1.07% week-on-week to 32,365,276
units, their highest level for 30 weeks and 3.59% above same week 2024
consumption of 31,243,045 units. Paid-for sales are down 1.85%
week-on-week at 272,561, 2.15% below same week 2024 sales of 278,555.
A decade after Kylie Christmas reached No.12 for Kylie Minogue, its 10th
anniversary is marked by the release of Kylie Christmas (Fully Wrapped),
which dashes to a No.1 debut on consumption of 23,279 units (10,125 CDs,
9,510 vinyl albums, 1,441 cassettes, 1,057 digital downloads and 1,146
sales-equivalent streams). It becomes the first album of seasonal
material to reach No.1 for a female solo artist since Susan Boyle topped
with The Gift in 2010.
The original Kylie Christmas has already undergone several incarnations,
and the Fully Wrapped edition has both omissions and additions, most
pertinently showcasing new tracks Hot In December, This Time Of Year and
Office Party and Amazon-exclusive XMAS. Ineligible to be combined with
the previous releases, it is Minogue’s 22nd Top 10, and 11th No.1 in an
album chart career that spans 37 years. Her previous No.1s: studio
albums Kylie (1988), Enjoy Yourself (1989), Fever (2001), Aphrodite
(2010), Golden (2018), Disco (2020), Tension (2023), Tension II (2024)
and compilations Greatest Hits (1992) and Step Back In Time: The
Definitive Collection (2019).
One of 17 acts to have 10 or more No.1 albums hitherto, the 57-year-old
is now one of 12 to have 11 or more – with just seven acts ahead of her
– and the only Australian. In all of its previous incarnations, Kylie
Christmas has total consumption of 176,868 units.
Number one on debut 41 weeks ago, People Watching catapults 34-3 (14,443
sales) for Sam Fender, after being released in a new edition which adds
eight tracks, most notably the duet version of Rein Me In, with Olivia
Dean, and Elton John collaboration, Talk To You. In the Top 100
continuously since release, People Watching is in third place in
Fender’s list of most-consumed albums, with 263,598 units, behind his
other studio albums and No.1s, 2019 debut Hypersonic Missiles (558,650
units) and 2021 follow-up, Seventeen Going Under (476,838 units).
The rest of the Top 10: The Art Of Loving (1-2, 20,233 sales) by Olivia
Dean, The Life Of A Showgirl (2-4, 11,442 sales) by Taylor Swift,
Christmas (4-5, 11,320 sales) by Michael Bublé, Man’s Best Friend (3-6,
9,800 sales) by Sabrina Carpenter, So Close To What (5-7, 7,703 sales)
by Tate McRae, 50 Years: Don’t Stop (7-8, 7,373 sales) by Fleetwood Mac,
The Highlights (8-9, 7,134 sales) by The Weeknd and Rumours (13-10,
6,556 sales) by Fleetwood Mac. Rumours has improved its position for
three weeks in a row, and is back in the Top 10 for the first time in 85
weeks.
Overall album sales are up 1.63% week-on-week at 2,902,774 units, 3.14%
above same week 2024 sales of 2,814,503. Physical product accounts for
617,860 sales, 21.29% of the total.